On the evening of March 19th, 2014, I hosted a lecture for the London College of Fashion Pedagogic Research Hub, introducing Engaging Imagination and discussed my emerging ideas on how I want to take this work forward in future – by examining the differences (however subtle) between creative practice, pedagogies and reflection. (In my early post you can see how I define creative pedagogies here).
You can watch excerpts from the evening in the video below, covering the essence of the book, how we define creativity, imagination and play, and how these emerge through textual and non-written records of reflection. I take our model Polarities of Reflection, which displays some of the tensions and opposites present in curriculum-based reflection and overlay it with thoughts on how these reside within bigger issues of pedagogy and practice. If you feel like having a taste of examples from the book, I also discuss several of these, among them Duck Rabbit, Labyrinths and Lego Serious Play.
You’ll find that in the video I make a number of references to practice, largely because I this talk was aimed at an audience of creative arts students, teachers and practitioners. When I do so I am largely indicating craft, professional and industry practices within art, design and media domains. However in the book itself, we extend our thinking across much broader territories, so this should be taken as an illustration, rather than the whole story. So don’t let mention of practice put you off if it’s not your thing.